Vintage Ceramics & Pottery: From Roseville to Rookwood - Identifying American Art Pottery

Picture this: You're wandering through an estate sale in Ohio when you spot a dusty green vase tucked behind a stack of old magazines. The price tag reads $15. Something about the weight and the way light plays across its matte glaze makes you pause. You flip it over, squint at the bottom, and your heart skips—there it is, the raised "Rookwood" mark with the flame symbol and "XIV" indicating 1914. You've just found a piece worth $800, maybe more if it's by a notable artist.

This isn't a fairy tale. It happened to me last October in Zanesville, Ohio—pottery capital of America and home to more ceramic history than any other region in the country. After twenty years in the antique business, I've learned that American art pottery represents one of the most overlooked yet valuable collecting categories. While everyone's fighting over Depression glass and mid-century furniture, savvy collectors quietly build museum-quality pottery collections for a fraction of what comparable art would cost.

Understanding the American Art Pottery Movement

American art pottery emerged in the 1880s as a direct response to the Industrial Revolution's mass production. Artists and craftspeople sought to preserve handmade traditions while creating pieces that elevated pottery from utilitarian objects to fine art. This movement, lasting roughly from 1880 to 1930 (with some companies continuing later), produced some of the most beautiful and collectible ceramics in the world.

What makes American art pottery special isn't just its beauty—it's the perfect storm of artistic innovation, regional clay variations, and uniquely American design sensibilities. Unlike European ceramics, which often emphasized ornate decoration, American pottery celebrated the clay itself, with glazes that highlighted rather than hid the material's natural properties.

The major production centers formed around abundant clay deposits: Ohio's rich river valleys, New Jersey's white clay regions, and California's diverse mineral deposits each contributed distinct characteristics to their local pottery. Understanding these regional differences becomes your secret weapon in identification and valuation.

The Big Four: Rookwood, Roseville, Weller, and McCoy

Rookwood Pottery (1880-1967): The Cadillac of American Ceramics

Rookwood stands alone as America's premier art pottery manufacturer. Founded by Maria Longworth Nichols in Cincinnati, Rookwood pieces command the highest prices and greatest respect among collectors. I've seen Rookwood vases sell for anywhere from $50 for common production pieces to $50,000 for rare artist-signed examples.

Identifying genuine Rookwood:

Look for the reverse "RP" mark with flames (one flame added each year from 1886-1900, then Roman numerals for years after)
Most pieces include shape numbers and artist ciphers
The clay body should be fine-grained and smooth
Weight is substantial—Rookwood used high-quality clay that feels heavier than most pottery

Value indicators for Rookwood:

Artist signatures (Kataro Shirayamadani pieces start at $2,000)
Vellum glaze pieces (misty, matte finish) command 30-50% premiums
Portrait pieces and Native American themes multiply values by 5-10x
Size matters—pieces over 12 inches bring premium prices
Iris glaze (high-gloss finish with underglaze painting) examples from 1890-1910 are highly sought

Last month, I evaluated a collection where a single Rookwood vase with silver overlay from Gorham sold for $4,200. The same vase without overlay would bring $800. These details matter tremendously.

Roseville Pottery (1890-1954): The People's Choice

If Rookwood was the Cadillac, Roseville was the Chevrolet—well-made, beautiful, and accessible. Based in Zanesville, Ohio, Roseville produced both art pottery and commercial lines, creating pieces that real families could afford. Today, Roseville offers the best entry point for new collectors, with pieces ranging from $25 to $5,000.

Identifying genuine Roseville:

Early pieces (pre-1920) often unmarked or with paper labels
Later pieces show "Roseville USA" marks, often with shape numbers
Raised marks appeared after 1936
Die-impressed marks used from 1920s-1930s
Beware: Reproductions plague Roseville—genuine pieces have crisp mold details and proper weight

Most valuable Roseville patterns:

Sunflower: $300-$2,000 depending on size and color
Blackberry: $400-$3,000 (the pattern everyone wants)
Jonquil: $200-$1,500
Futura: $300-$5,000 (the Art Deco masterpiece line)
Tourist: $1,500-$4,000 (rare line featuring vintage cars)

I recently sold a Roseville Futura "Tank" vase for $1,800. The seller inherited it from her grandmother who bought it new in 1928 for $3.50. Not every piece appreciates 500-fold, but Roseville consistently outperforms inflation by significant margins.

Weller Pottery (1872-1948): The Innovation Leader

Samuel Weller built an empire on innovation, employing famous artists like Jacques Sicard and Frederick Rhead. Weller pottery spans from utilitarian garden pottery to museum-quality art pieces. The company's vast output means you'll find Weller everywhere, but knowing which lines matter separates amateurs from professionals.

Identifying genuine Weller:

Marks varied tremendously: impressed "Weller," incised signatures, ink stamps, and paper labels
Many pieces unmarked—learn glazes and shapes for attribution
Sicard pieces show metallic luster glazes with signed "Sicard" or "Weller Sicard"
Weight and clay color help—Weller used light tan to gray clay bodies

Top Weller lines for collectors:

Sicard: $500-$10,000 (iridescent metallic glazes)
Coppertone: $150-$2,000 (figural pieces with frogs and fish)
Hudson: $200-$5,000 (hand-painted scenes)
Woodcraft: $100-$1,500 (rustic forest themes)
Louwelsa: $50-$800 (brown glaze with painted flowers)

A Weller Sicard vase I authenticated last year sold at auction for $6,500. The owner bought it at a yard sale for $20 because "it looked old." These finds still happen weekly across America.

McCoy Pottery (1910-2001): The Accessible Giant

McCoy produced more pottery than perhaps any other American company, making their pieces ubiquitous at antique stores. While most McCoy sells for $10-$100, certain pieces command serious money. McCoy collecting offers instant gratification—you can build an impressive collection without breaking the bank.

Identifying genuine McCoy:

"McCoy" mark appears on many pieces after 1930s
"USA" often accompanies the McCoy mark
Early pieces often unmarked
Beware "McCoy" marks with "Made in China"—obvious fakes
Cookie jars should have cold paint, not fired glazes, for facial features

Valuable McCoy to watch for:

Early stoneware pieces: $100-$1,000
Rare cookie jars (Mammy, Hillbilly): $500-$3,000
Loy-Nel-Art pieces (1905-1908): $300-$2,000
Unusual glazes on common forms: $50-$500
Large jardinieres with stands: $100-$800

Lesser-Known Makers Worth Serious Money

Hull Pottery (1905-1986)

Hull flies under the radar but offers exceptional value. Their matte glazes from the 1940s rival Roseville in beauty at half the price. Look for Woodland, Water Lily, and Magnolia patterns. Pieces range from $20-$800, with rare experimental pieces reaching $2,000.

Hull identification tips:

Script "Hull USA" marks most common
Numbers on bottom indicate pattern and size
Matte pieces more valuable than glossy
Pre-1950 pieces bring premium prices

Van Briggle Pottery (1899-present)

Still operating today, Van Briggle's early pieces (before 1920) command respect and prices equal to Rookwood. Their signature matte glazes in blues, purples, and greens remain stunning after a century.

Van Briggle values:

Pre-1920 pieces: $200-$5,000
Artist-signed pieces: add 50-100% premium
Rare forms (Indian heads, nudes): $1,000-$10,000
Modern production: $20-$200

Fulper Pottery (1899-1935)

Fulper's crystalline glazes and Arts & Crafts forms make them increasingly collectible. Their lamp bases alone can bring $500-$3,000. Look for pieces marked "Fulper" in vertical letters—earlier and more valuable than horizontal marks.

Grueby Pottery (1894-1921)

Grueby's matte green glaze inspired an entire generation of potters. Authentic Grueby pieces start at $500 for small tiles and reach $20,000 for important vases. The company's brief existence makes their pieces genuinely rare.

Understanding Glazes: Your Key to Authentication and Value

Glazes tell the story of American pottery evolution. Each decade brought innovations, and understanding glaze development helps date and authenticate pieces instantly.

Matte vs. Glossy: The Great Divide

Before 1920, matte glazes signified artistic sophistication. These velvety finishes required precise firing temperatures and often contained uranium or other exotic materials. Today, matte pieces generally command 20-40% premiums over identical glossy examples.

Identifying period matte glazes:

Should feel smooth but not slick
Color appears absorbed into the clay
Edges and raised areas show slight color variation
Modern matte glazes look flat and lifeless by comparison

Crystalline Glazes: Nature's Artwork

Crystalline glazes contain zinc and require precise cooling to form crystal patterns. Each piece emerges unique from the kiln. Fulper and Pierrefonds perfected these glazes, creating pieces that look like they contain frozen fireworks.

Value factors for crystalline glazes:

Size and definition of crystals
Color contrast between crystals and ground
Coverage (full coverage brings premium prices)
Rarity of color combination

Drip Glazes: Controlled Chaos

Companies like Fulper and Muncie created pieces where glazes deliberately ran and pooled. Original drip glazes show natural, organic patterns. Reproductions often look forced or excessive.

Red Glazes: The Holy Grail

True copper red glazes (sang de boeuf, oxblood) proved notoriously difficult to achieve. Most attempts resulted in muddy browns or purples. Successful red glazes multiply values by 3-5x. I've seen mediocre vases bring $1,000 solely because of successful red glaze.

Condition Assessment: What Matters and What Doesn't

Pottery condition standards differ from other antiques. Understanding these differences prevents costly mistakes and identifies undervalued pieces.

Acceptable Flaws That Don't Significantly Impact Value

Manufacturing flaws (often add character):

Kiln marks (spots where pieces touched during firing)
Glaze bubbles or pinholes
Slight warping on large pieces
Color variations within the glaze
Grinding marks on bases

These "flaws" prove authenticity and demonstrate hand production. I've seen collectors pay premiums for pieces with interesting kiln accidents.

Minor damage on rare pieces:

Small base chips (under 1/4 inch)
Tight hairline cracks not visible from display distance
Glaze scratches not through to clay body
Minor stilt marks

On a $3,000 Rookwood vase, a small base chip might reduce value by $300-$500. On a $30 McCoy vase, the same chip cuts value in half.

Damage That Destroys Value

Serious structural issues:

Cracks through the body
Missing handles or applied decorations
Large chips on visible areas (rims, shoulders)
Amateur restoration attempts
Drill holes (from lamp conversions)

Professional restoration helps but rarely returns pieces to original value. A restored $2,000 vase might bring $800-$1,200 depending on restoration quality.

The Restoration Dilemma

Professional restoration costs $200-$2,000 depending on damage extent. Only restore pieces where post-restoration value exceeds restoration cost plus original purchase price by at least 50%.

When restoration makes sense:

Rare forms or patterns
Artist-signed pieces
Family heirlooms with sentimental value
Pieces completing important collections

Current Market Trends and Investment Potential

The American art pottery market shows fascinating trends that smart collectors exploit for profit.

Rising Stars

Architectural pottery: Tiles and architectural elements from Grueby, Rookwood, and Pewabic gain 10-15% annually. A set of six Grueby tiles I sold for $300 in 2015 would bring $600 today.

Industrial designers: Pieces by known designers like Frederick Rhead or Frank Lloyd Wright students command growing premiums. Attribution adds 100-500% to values.

California pottery: West Coast pottery (Bauer, Vernon, Catalina) rises as California collectors compete for regional pieces. Prices doubled in five years.

Arts & Crafts movement pieces: Anything connected to Gustav Stickley, Roycroft, or the movement brings premiums. Pottery displayed at Grove Park Inn shows sells immediately.

Declining or Stable Markets

Common production pieces: Mass-produced items from major makers remain flat. Your grandmother's Hull swan planter won't fund retirement.

Damaged goods: Tolerance for damage decreases yearly. Pieces acceptable ten years ago now struggle to find buyers.

Late production: Post-1940 pieces from most companies (except experimental or designer pieces) show little appreciation.

Regional Price Variations

Location dramatically affects prices. Ohio Roseville brings 30% less than California prices. Conversely, California pottery sells for less in Ohio than Los Angeles. Smart dealers arbitrage these differences through online sales.

Authentication Techniques: Separating Genuine from Fake

Reproduction pottery floods the market, particularly for Roseville, McCoy, and Weller. Learning authentication saves thousands and builds reputation.

The Touch Test

Genuine period pottery feels different. The clay body should feel smooth but not slick. Glazes had texture—even glossy glazes weren't mirror-perfect like modern pieces.

Weight matters: Original art pottery used quality clay and thick walls. Reproductions feel light and hollow. Hold enough genuine pieces and fakes become obvious.

Mark Examination

Genuine marks show:

Appropriate depth and clarity for production method
Correct fonts for the period
Proper mark evolution (early Roseville unmarked, later marked)
Natural wear on raised marks

Fake marks reveal themselves through:

Too-perfect impression on "old" pieces
Wrong fonts or spacing
Marks on forms never originally marked
Laser-etched rather than impressed marks

Glaze Analysis

Original glazes show age appropriately:

Fine crackling in the glaze (but not always)
Appropriate wear on bases and high points
Color depth that seems to come from within
Natural variations in color and coverage

Modern glazes look surface-applied and uniform. They lack the depth and variation of period glazes.

The Black Light Test

Many original glazes fluoresce under ultraviolet light due to uranium content or other materials. While not definitive (not all originals glow, some reproductions do), it's another authentication tool.

Typical reactions:

Uranium glazes: bright green glow
Selenium glazes: orange to pink glow
Some whites and yellows: slight yellow glow

Price as an Indicator

If the price seems too good, question authenticity. A perfect Roseville Sunflower vase for $50 at an antique store? Almost certainly fake. Dealers know values—dramatic underpricing suggests problems.

Building Your Collection: Strategic Approaches

Start with a Focus

Successful collections have themes. Choose one:

Single manufacturer (all Rookwood)
Specific pattern (Roseville Pine Cone in all forms)
Time period (Arts & Crafts era only)
Regional (Ohio pottery only)
Form (vases only, or all candlesticks)

Focused collections appreciate faster and sell easier than random accumulations.

Buy the Best You Can Afford

One excellent piece outperforms ten mediocre pieces. A $500 perfect vase beats ten $50 damaged pieces for display, appreciation, and eventual resale.

Document Everything

Keep receipts, photographs, and provenance information. Create spreadsheets tracking:

Purchase date and price
Seller information
Current market value
Condition notes
Research findings

This documentation adds 10-20% to eventual selling prices and helps with insurance claims.

Network with Dealers and Collectors

Join pottery clubs (American Art Pottery Association, Roseville collectors groups). Attend pottery conventions—Zanesville's July pottery festival draws thousands. Building relationships leads to better pieces and private sale opportunities.

Online vs. In-Person Buying

Online advantages:

Wider selection
Price comparison ease
Access to distant markets

Online disadvantages:

Can't handle pieces
Photography hides flaws
Shipping damage risk
Higher fakery risk

Buy common pieces online, important pieces in person. Never buy expensive pottery without handling it unless seller offers unconditional returns.

Advanced Collecting: Artist Signatures and Special Pieces

Understanding Artist Marks

Artist-signed pieces command premiums ranging from 50% to 1000% over unsigned examples. Learning important artists multiplies finding opportunities.

Rookwood's most valuable artists:

Kataro Shirayamadani: Japanese artist whose pieces start at $2,000
Carl Schmidt: Wildlife and portrait specialist, pieces from $1,500
Maria Longworth Nichols: Founder's pieces bring $3,000+
William Hentschel: Portraits and scenes, $1,000+

Finding sleeper artist pieces: Many collectors don't recognize artist marks. I bought a Shirayamadani vase marked $125 as "Rookwood vase" last year—resold for $2,400. Study artist marks religiously.

Experimental and Trial Pieces

Factories created experimental pieces testing new glazes, forms, or techniques. These pieces, often marked "TRIAL" or with special notation, bring huge premiums.

Identifying experimental pieces:

Unusual glazes for the company
Forms not in production catalogs
Multiple glaze techniques on one piece
Size variations from standard production

A Roseville trial piece I authenticated—combining two different glaze techniques never used in production—sold for $4,500. The standard form would bring $400.

Presentation Pieces and Awards

Pieces made for exhibitions, awards, or special presentations command significant premiums. Look for:

Special marks or inscriptions
Superior craftsmanship
Unusual sizes (often larger)
Multiple decoration techniques
Documentation or photographs from exhibitions

Collaborative Pieces

Some pottery resulted from collaborations:

Rookwood with Gorham silver overlay
Tiffany Studios mounts on various pottery
Arts & Crafts furniture makers with pottery makers

These crossover pieces appeal to multiple collector groups, driving prices higher.

Care, Display, and Storage

Proper care preserves value and beauty. Pottery requires different treatment than glass or porcelain.

Cleaning Safely

Basic cleaning:

Dust with soft brushes (makeup brushes work perfectly)
Wash with lukewarm water and gentle dish soap
Never use abrasives or harsh chemicals
Dry thoroughly—moisture in cracks causes damage

Stubborn stains:

Soak in warm water with denture tablets (seriously)
Use plastic scrapers for stuck debris
Consider professional cleaning for valuable pieces

Display Strategies

Protecting pieces:

Use museum wax or earthquake putty in earthquake zones
Avoid direct sunlight (fades colors)
Maintain stable temperatures (avoid attics, basements)
Display away from high-traffic areas

Aesthetic considerations:

Group by color, form, or maker
Use varying heights for visual interest
Light from below or sides for drama
Rotate displays to prevent uneven fading

Storage Solutions

When not displaying:

Wrap in acid-free tissue paper
Store in sturdy boxes with dividers
Label boxes clearly with contents
Climate-controlled storage ideal
Photograph before storing for insurance

Insurance Considerations

Standard homeowner's policies limit coverage. Consider:

Scheduled personal property endorsements
Separate collectibles policies
Agreed value vs. actual cash value coverage
Documentation requirements (appraisals, photos, receipts)

Update appraisals every 3-5 years—pottery values change significantly.

Selling Your Pottery: Maximizing Returns

Timing the Market

Pottery markets show seasonal patterns:

Spring: Strongest selling season
Fall: Second best, holiday gift buying
Summer: Slower but good for outdoor shows
January-February: Slowest months, lowest prices

Important pieces merit waiting for optimal timing. Common pieces sell anytime.

Selling Venues

Local options:

Antique stores (consignment or outright purchase)
Estate sale companies
Pottery shows and conventions
Local collectors clubs

Online platforms:

eBay (widest audience, 12.5% fees)
Etsy (arts and crafts focus, younger buyers)
Ruby Lane (serious collectors, higher prices)
Facebook Marketplace (local, no shipping)
Instagram (build following, direct sales)

Auction houses:

Major houses (Christie's, Sotheby's) for important pieces only
Regional auction houses for good pieces
Online auctions (LiveAuctioneers, Invaluable)

Presentation Matters

Photography tips:

Natural light preferred
Multiple angles including marks
Size reference (ruler or common object)
Highlight any damage honestly
Show artist signatures clearly

Description excellence:

Use proper terminology
Include dimensions and weight
Describe condition thoroughly
Provide provenance if available
Research comparable sales

Well-presented pieces sell for 20-30% more than poorly presented identical items.

Future of American Art Pottery Collecting

Demographic Shifts

Millennials and Gen Z show increasing interest in handmade items and sustainability. Art pottery appeals as:

Environmentally friendly (reusing vs. buying new)
Instagram-worthy aesthetics
Connection to craftsmanship
Investment potential
Unique home decor

Expect continued price appreciation for quality pieces as new collectors enter the market.

Museum Recognition

Major museums expand American pottery holdings. The Metropolitan Museum, Philadelphia Museum of Art, and Cincinnati Art Museum all recently acquired significant collections. Museum recognition validates the art form and drives collector interest.

Educational Resources

Online resources democratize knowledge:

Digital mark databases
Virtual museum collections
YouTube authentication videos
Instagram dealers sharing expertise
Online appraisal services

Information availability helps new collectors avoid mistakes and builds confidence.

Global Market Development

International collectors, particularly from Asia, increasingly pursue American art pottery. Rookwood and other makers with Asian-influenced designs see particular strength. Export potential adds market depth.

Common Mistakes to Avoid

After twenty years watching collectors succeed and fail, these mistakes cost the most money:

Buying Without Research

Never buy expensive pieces impulsively. That "rare" Roseville pattern for $500 might be common and worth $50. Smartphone apps like Google Lens help identify pieces instantly.

Ignoring Condition for Rarity

Rarity doesn't overcome serious damage. A rare piece in poor condition often brings less than a common piece in perfect condition. Buy condition first, rarity second.

Falling for Reproduction Tricks

Fake aging techniques fool beginners:

Dirt rubbed into bases
Artificial crazing created with temperature shocks
Fake wear from sandpaper
Added marks on originally unmarked pieces

Overpaying at Antique Stores

Many antique stores price pottery at full retail or above. Research prices before buying. Online sold listings (not asking prices) show actual market values.

Storing Incorrectly

I've seen entire collections destroyed by poor storage:

Newspaper print transfers to pottery
Plastic bags cause moisture damage
Stacking without padding causes chips
Temperature extremes crack pieces

Cleaning Too Aggressively

Overcleaning removes patina and value. That "dirt" might be original unfired decoration. When in doubt, leave it alone or consult professionals.

Resources for Serious Collectors

Essential Reference Books

"The Collectors Encyclopedia of Roseville Pottery" by Huxford
"Rookwood Pottery" by Herbert Peck
"The Book of Rookwood Pottery" by Herbert Peck
"Weller Pottery" by Ann Gilbert McDonald
"American Art Pottery" by David Rago

Online Resources

Kovels.com: Free marks database and price guide
WorthPoint: Subscription service showing actual sold prices
Replacements.com: Massive inventory with learning opportunities
JustArtPottery.com: Dealer specializing in American pottery
CincinnatiArtMuseum.org: Extensive Rookwood online collection

Museums with Notable Collections

Cincinnati Art Museum: Rookwood focus
Zanesville Museum of Art: Ohio pottery comprehensive collection
Newark Museum: American art pottery survey
Everson Museum: American ceramics focus
Philadelphia Museum of Art: Arts & Crafts pottery

Shows and Events

Zanesville Pottery Lovers Festival (July)
American Pottery, Earthenware & China Show (Maryland, March)
Grove Park Inn Arts & Crafts Conference (February)
Various regional pottery shows throughout the year

The Investment Case for American Art Pottery

Let's talk numbers. American art pottery consistently appreciates 5-15% annually for quality pieces. Compare this to:

Stock market: 7-10% average but volatile
Bonds: 2-4% currently
Gold: 4-6% historical average
Real estate: 3-5% plus maintenance costs

Pottery offers tangible beauty you enjoy daily plus appreciation. Unlike stocks, you can display your investments and share their stories.

Real investment examples from my records:

Rookwood Shirayamadani vase: Bought 2010 for $1,200, sold 2023 for $3,400
Roseville Futura collection (12 pieces): Assembled 2015-2018 for $8,000, current value $14,000
Grueby tile set: Purchased 2012 for $450, appraised 2024 at $1,800
Weller Sicard bowl: Estate sale find 2019 for $50, sold for $1,100

Not every piece appreciates dramatically, but quality pieces rarely lose value if bought correctly and maintained properly.

Conclusion: Your Journey into American Art Pottery

American art pottery offers something increasingly rare: the opportunity to own museum-quality art at accessible prices. While a minor Monet sketch costs millions, a masterpiece of American ceramic art might cost thousands or even hundreds. You can build a significant collection for the price of a used car.

Start your journey with these action steps:

Visit local antique stores and handle pottery. Train your hands to recognize quality. Most dealers happily share knowledge with interested beginners.
Choose your focus area. Pick one maker or style to study deeply. Expertise in one area beats surface knowledge of everything.
Join online communities. Facebook groups, Instagram hashtags, and collector forums provide daily education and buying opportunities.
Attend one pottery show this year. Nothing replaces seeing hundreds of pieces and talking with experienced collectors.
Buy your first piece. Start modestly—under $100—but buy something you genuinely love. Living with pottery teaches more than books ever could.
Document and research your purchase. Practice the authentication and valuation skills discussed here.
Share your journey. Post your finds online, ask questions, contribute to the community. Pottery collecting thrives on shared passion.

Remember that estate sale in Ohio I mentioned? The dealer who priced that Rookwood at $15 probably handles thousands of items weekly. They can't know everything. Your specialized knowledge creates opportunities. Last year alone, I found underpriced pottery worth $12,000 that cost me $1,800. These opportunities exist in every town, every weekend.

American art pottery connects us to our cultural heritage, to artists who transformed humble clay into lasting beauty, and to the American ideals of craftsmanship and innovation. Whether you collect for investment, decoration, or the thrill of the hunt, pottery rewards patience, knowledge, and passion.

The next time you see a dusty vase at an estate sale, pick it up. Feel its weight. Look for marks. You might hold a masterpiece. And even if you don't, you're participating in a tradition of appreciation that keeps these beautiful objects valued and preserved for future generations.

Welcome to the wonderful world of American art pottery. May your shelves fill with beauty, your knowledge grow with each purchase, and your collection bring joy for decades to come. The pottery is out there waiting—go find it.